Syd, Paul and I each selected three tracks that in some way epitomized the era. This is why thinking about the performers who appeared on our stages, and the music they played there, seemed like the best way to cut through the arguments and get to the heart of RAR. ![]() When Syd Shelton recently published his photographs from Rock Against Racism, full of the drama and intensity of the times, I joined him and the critic Paul Gilroy, at Autograph Gallery in the East End of London to discuss the RAR years.įorty years later, among all the theories advanced about its origins and politics, one glaring fact about RAR is often forgotten: at its root was the shared love of music.
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